Some builds are documented from the first roll of film. This Aston Martin came to the studio for a full color transformation, and the photos above walk the whole arc: the film staged beside the car, the panels going over mid install, and the finished result outside in daylight.

A car with these proportions punishes lazy film work. Every curve on an Aston shows a stretched pattern or a misplaced seam instantly, which is why panels come off where the finish demands it and edges get wrapped past every sight line.

The finished color reads factory, only better: a deep green that changes character with the light, over paint that stays untouched underneath. It is the kind of build the studio exists for.